Review - Tom Dahill - Let The Goat Out
June 21st, 2010Welcome to Celtophilia!
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Artist: Tom Dahill
Album: Let The Goat Out
This album is sort of a big deal. It’s called Let The Goat Out, it’s by an amazing musician named Tom Dahill, and I could make a solid case that this website exists because of it. In 1998, I was a sophomore in high school, and Mike was a freshman attending a small college in Oakwood, Georgia. One day Tom Dahill performed on Mike’s campus, and after the show Mike purchased this CD. He loved it and he loaned it to me. We passed it back and forth. We squabbled over it. We learned most of the songs by heart and we sang them in the car, around the house, and possibly in public once or twice, much to Julie’s embarrassment.* Let The Goat Out was our introduction (and gateway drug) to the wonderful, wild, world of Celtic music. I can’t tell you how much it means to have this album sent in for us to review, it feels - well, indescribable.
All of that said, I simply don’t have it in me to be overly critical of this particular album. I have too much history here, it’s too close to me and I realize that I’m ridiculously partisan. So, I’m just going to share a few of the things I love about it, and call it a day.**
The first track on the CD is Roads of Kildare, a song about an upstanding, well to do young man who falls in love with a gypsy. If there is a sweeter, more charming version, then I certainly haven’t heard it. Accordion, guitar, and vocals come together beautifully, and there’s a lovely bit of whistling at the finish. It’s little touches like this that make the album such a treat to listen to - it could come off as superfluous or even pretentious, but somehow it never does. Cynics and pragmatists beware, as this one is going to tug at your heartstrings.*** Romantics, it’ll be right up your alley!
Lark In The Morning is an interesting little piece of work. Half nature documentary and half soap opera, but if you ask me, it’s all about the bodhran - and the guitar. While the appeal of the majority of the album lies in the storytelling, this is one song where the musicianship outshines the tale.
Crossmaglen is a somewhat obscure traditional Irish ballad. I rarely come across recordings of it, most likely because of the lyrical content. It is a rebel song and it tells the story of a small band of Irish rebels readying and carrying out the ambush of a convoy. Tom Dahill’s Crossmaglen is a lovely song telling an ugly story, acknowledging that the men involved will be labeled terrorists, but relating their belief that they have no choice but to act as they do.
There is no funnier song in the Celtic trad music library than Paddy McGinty’s Goat. The goat’s baaing noises only make it more hilarious, as opposed as I usually am to such things. I defy anyone to listen to Tom singing this song and not smile. I firmly believe it’s impossible. Do stick around for the surprising, dare I say, explosive! ending.
Let The Goat Out is a gem of an album, containing rarely recorded songs, old favorites, and more heart than you can shake a stick at. Tom Dahill’s personality comes through with so much straightforward authenticity that listening to this CD is like getting to know a new friend, or reconnecting with a treasured old one.
Slainte,
Bonnie
*Poor Jules, she’s been putting up with the two of us for a long time now. She’s going to have to bail us out of jail one of these days, and she knows it.
**And mercilessly rip apart the poor unlucky band that I get to after this one. Kidding!
***If it doesn’t, then I bet you didn’t cry when that poor kid had to shoot his dog in Old Yeller. Sociopath.







